The seven men comprising Styx have committed to rocking the Paradise together with audiences
far and wide by entering their second decade of averaging 100 shows a year, and each one of them
is committed to making the next show better than the last. Styx draws from over five decades of
barnburning chart hits, joyous singalongs, and hard-driving deep cuts. Like a symphony that builds
to a satisfying crescendo, a Styx set covers a wide range of stylistic cornerstones. From the
progressively sweeping splendor that is “The Grand Illusion” to the hunker-down fortitude of all
that is the “Blue Collar Man,” from the majestic spiritual love for a special “Lady” to the seething
indictment of preening, primping pageantry for pageantry’s sake of “Miss America,” from an
individual yearning for true connection as a “Man in the Wilderness” to a soul-deep quest to
achieve what’s at the heart of one’s personal vision in “Crystal Ball,” from the regal reach-for-thestars bravado of “Come Sail Away” to the grainy all-in gallop of that rugged “Renegade” who had it
made, the band draws on an unlimited cache of ways to immerse one’s mind and body in their
signature sound.
Styx hit its stride with guitarist/vocalist Tommy Shaw’s first LP with the band, 1976’s Crystal Ball,
and then they become the first group to score four triple-platinum albums in a row: The Grand
Illusion (1977), Pieces of Eight (1978), Cornerstone (1979), and Paradise Theater (1981). Over the
ensuing decade, Styx weathered the shifting winds of the public’s musical taste, reconvening for a
highly successful 1996 Return to Paradise tour that was expertly documented on both CD and DVD
in 1997. With a little help from their many friends in Cleveland’s Contemporary Youth Orchestra,
One With Everything (2006) became a hybrid orchestral rock blend for the ages. And on The Grand
Illusion / Pieces of Eight Live (2011), the band performed at its peak when tackling every track from
a pair of their finest triple-platinum albums back to back. Not only that, but the band re-recorded
two discs’ worth of its classic material with much finesse and musculature, aptly known as
Regeneration Volume I & II (2011 & 2012). Observes Tommy, “Now you have something you can
take home with you and go, ‘Yeah, that’s the band I saw last night.’ ” In 2017, Styx released their
16th studio album, The Mission (their first in 14 years at the time, which critics called “a
masterpiece”). The Mission is an aurally adventurous 43-minute thrill ride that chronicles the
trials, tribulations, and ultimate triumphs of the first manned mission to Mars in the year 2033.
Following The Mission, Styx released their 17th studio album in 2021, Crash of the Crown, which
was written pre-pandemic and recorded during the trying times of the pandemic. Styx’s holy
mission for cutting Crash of the Crown was crystal-clear to its co-creator from the get-go.
“Absolutely no obstacles were going to get in the way of how we approached creating this album,”
singer/guitarist Tommy Shaw concludes about the herculean recording efforts of his fellow COTC
makers. “And everything came out exactly the way we wanted to hear it.”
After more than two decades together on the road, this incarnation of Styx is looking forward to
performing as many shows as it can as long as it can. “The legacy of this band will be that it brought
joy to millions of people,” notes drummer Todd Sucherman. Observes keyboardist/vocalist
Lawrence Gowan, “We’ve always tried to explain why this is this happening. It’s obviously a
multitude of factors, but the main one is that our show is really good! And if it’s really good, they’re
going to come to see it again.” Styx hopes it’s a wave that never crests. “Every night, we go on that
magic carpet ride together,” observes original bassist Chuck Panozzo, who joins the band on tour
as often as he can. “Music is this amazing force that comes from a higher place. I’m humbled for
this band to have the great success that it has,” says co-founding guitarist/vocalist James “JY”
Young. “We just want to keep on doing this,” asserts Tommy. “We want to let life take its course
and let this music continue to be the soundtrack to it. And this band will continue to evolve as long
as we live and play this music.” The jig is up, the news is out: The Esprit de Styx is alive and well,
and now it’s time to see for yourself. Welcome to the Grand Evolution.
